Offene Kritik-Anfragen

IAN BORTHWICK · Photo · Photography

I wanted to use the (unposed) figure to add an extra dimension to this shot of Mont Saint-Michel. One critic opined that the human figure ruins the image. What do you think? I think it enables the viewers to project into the eyes of the lady in the foreground

Anastasia Art · Acril/modeling paste · 190x80 · General

I have finally finished my latest painting, Ukraine: Before and After the War. This political artwork explores the contrast between Ukraine’s life before the invasion and the devastation, pain and change brought by the war. The Ukrainian flag is a central symbol of the painting, representing national identity, resilience, hope and the strength of the Ukrainian people.

IAN BORTHWICK · Photo · Photography

Hi all, thanks for all the kind (and mostly constructive) comments on the previous photo published. Opinions seem to be divided, and personally I still like the idea of the figure in the foreground adding a hint of mystery and storytelling. BUT... here as suggested is the version without the lady in the foreground. Verdict? I tend to agree : as an image - especially black and white - I think it works better without the human presence...

Zolapotato · Textiles, sewing · General

I was going for the character chiori, they are a geo character in genshin impact that is a fashion designer in the nation of Fontaine, a nation based in France, but they are from a nation called inazuma which is based off of edo period japan. I feel I did bad on some parts of the threading and wanted to ask about it. I feel as if the obi, the right sleeve, and the neck I did a bit worse, but give me your honest opinion.

Jason Nowitzki · Digital Photography · General

Was trying to capture reflections of the sunset and incorporate some of the rock in the foreground. It is one of my images that I captured a few years ago and I'm not sure if it has any potential or not.

Audrey Briel · Relief print with Gamblin oil based ink on newsprint · 14.9 x 21.6 · General

That our bodies are both witness and vessel to our stories - they carry the memory of our past at a cellular level. Trying to combine the textuality of newsprint with the strong lines showing the pressure of the burdens we bear. Prussian blue to show the emotional density

Gustavo Saturansky · Oleo sobre linzo · 70*100 cm · General

La paleta dominada por azules profundos, ultramares y matices verdosos establece un tono de recogida melancolía y recogimiento interior. La figura —una bailarina sentada en postura de reposo o pausa— se aleja del espectáculo o la gracia técnica para adentrarse en la vulnerabilidad. Hay una vibración de soledad habitada, un instante congelado entre el agotamiento físico y la contemplación mental. Los destellos cálidos que asoman sutilmente en el fondo y en los bordes del cuerpo crean un contraste tenso, sugiriendo un conflicto latente entre la frialdad del entorno y la calidez de la vivencia interna

gelingarcia · Wall Scuplture/Mixed Technique · 90x90x30 cm · General

I created this work in the midst of 2020, as a direct response to the lockdown, isolation, and institutional control that suddenly came to define our lives. It was no coincidence; being shut in forced me to look for a way out. I used the language of comic books because it suggests direct, uncomplicated action: a wall, an impact, an escape. Beneath that visual immediacy, I wanted to capture my own tension between restriction and free will. The figure I built is a reflection of childhood, but it is also myself: a small insurgent body refusing to remain inside the structure built around it.For me, the wall had to be deliberately artificial. I painted cardboard to imitate solid masonry, intentionally leaving its corrugation visible to expose the fragility behind any illusion of control. I painted the cracks spreading from the center in golden yellow, turning damage and rupture into pure energy. By repurposing discarded plastic within the handmade frame, I sought to deepen the underlying logic of the work: the materials, symbols, and boundaries imposed upon us can all be dismantled and reconstructed.Suspended between sculpture, assemblage, and visual storytelling, Freedom!2020 is my proposition that liberation is an active gesture. I do not present freedom as something granted to us from the outside, but rather as the internal force we need to break open an opening—and the courage it takes to move through it.

Stefano Viani · Photography · General

Ich möchte gerne wissen, ob die Bewegungsunschärfe als gestalterisches Mittel gut gewählt ist, um die Geschwindigkeit nachempfinden zu können. Ich habe auch Aufnahmen mit einer 1/200 Sec. Da sind die Fahrer scharf, aber die Aufnahme wirkt steril. Was denkt Ihr?

Alex Ezersky Photography · Photography · Art Critique

Seeking opinions on best perspective for the November super-moon rise. The moonrise will be about 57 degrees right after sunset. I live in the East Bay, Contra Costa County, CA, don't want to travel far and can't really get Mt. Diablo in the foreground, besides parking is closed at dusk. These shots were taken at the Martinez waterfront today while scouting out a good location. Hoping to get an image good enough for the local gallery. Which view works the best?

Sotiris.Art · Acrylic on Canvas & Modeling Paste · 80x120 cm · General

I have made around 29 Artworks and this is one of my best.Any reliable opinion from experience artists is acceptable. Art Work Details Title: Opus XXIII – Hellenic Aegis Artist: Sotiris Christodoulou Medium: Acrylic, modeling paste, metallic paints on canvas Size: 80 x 120 cm Series: Opus XXIII Year: 05/2026 Web site:👉 https://sotiris-art.com/

Olena - · Digital Art · any cize · General

I wanted to create a vibrant, abstract, surreal image that draws the eye and captivates - one that invites close inspection and would adorn any space. I strove to ensure the piece was neither dull nor banal, incorporating contrasts and, of course, beautiful, pleasing colors.

Anne Reid Artist · Acrylic on Canvas · 16x20 · General

Transfiguration is inspired by the account of Jesus on the Mount of Transfiguration in Matthew 17:1–8. I wanted to create a sense of the atmosphere and presence of glory described in the passage—Jesus transfigured before Peter, James and John, His face shining like the sun, His clothing becoming white as light, and the bright cloud of God's presence overshadowing them. Rather than illustrating the scene literally, I wanted the painting to communicate the experience of it: overwhelming light, glory, awe and divine presence. The figures emerge within an intense field of colour and light, with the surrounding atmosphere becoming part of the event rather than simply a background. My goal was for the work to retain a sense of mystery while still giving the viewer enough visual information to encounter the biblical narrative.

Rose K. J. · Medium (acrylic on the cardboard) · 30x40 cm · Art Critique

In this painting, I tried to practice the freshest brushstrokes and the most confident line drawing, not getting bogged down in details, but highlighting what is necessary. How do you think it turned out? How marketable do you think the finished work is?

Francesca Luz · Acrylic and modeling paste on canvas · 30×70 · Painting

"This abstract painting is a visual journey through the invisible forces of the cosmos. By combining acrylics and modeling paste, the artist creates a highly textured surface where concentric circles expand like gravitational waves or celestial orbits. The deep shades of blue and purple evoke the mystery of infinite space, while the gold and silver highlights capture the light, mimicking the birth of stardust. This artwork celebrates energy in perpetual motion and the hidden harmony of universal chaos."

https://www.jjsartonline.co.uk · acrylic on paper · General

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Indira Nankoosingh · Acrylic · 9" × 12" · Art Critique

I decided to try a still life painting of florals in a blue vase for contrast. A few petals lies on the table beside the vase with wilting leaves as the rest of the flora awaits a new vibrant growth.

Marcia Dean Fine Art · Watercolor · 12 x 15” · General

This is a commission piece of a man who took his son with him to teach him to play golf for the first time. I wanted the bond of father and son to show love and strength in this relationship… that might pass down thru generations. This is a real people/real place piece taken from a photo.

O2 · encre et acrylique sur papier à dessin · 21x29.7 cm · Art Critique

Je souhaitais travailler mes lianes sur un fond préparé, et garder cette idée de pavés dont certains de mes dessins sont faits. Mais j'ai des doutes sur: le rendu, les couleurs, la lecture de ce dessin. Je n'arrive pas à savoir s'il fait partie de ceux que je peux présenter ou s'il faut que je el garde pour moi (bon c'est raté vu que je vous le partage). Bref, j'ai besoin de vos avis, par avance merci

Abdiel Rodriguez · Acrylic · Rectangular size 4x6 inc · General

I took risk to this small brick size painting. So I visualized different dawn forest views. I always enjoy watching nature and the beauty around. Just forgetting all the struggles in my mind and the politics, debates and everything. So far so good

Through My Eyes · Photography · Photography

I wanted to find peace and grounding after a long overnight working in the ER. Having the privilege of watching the sunrise is not something everyone can experience often. What is the first thing you see? How does it make you feel?

Hans Claesson · acrylis on canvas · 40x50cm · Art Critique

A feeling of autumn. Semi-abstract. Some mystery and hidden story. I put this away but maybe I can change it a little so I like it better. What do you think about removing the woman face wth red lips (almost in the middel)?

Hans Claesson · acrylic on canvas · 40x50cm · Art Critique

I was trying to stretch myself I guess. Facing some small fears and so on. Trying something new. This is not my style at all. Or is it? 😲 Paint without plan, more intuitive. But I had a vague plan about a summer garden party with joy and friendship.

Tasvir Desai · digitl · 60 by 90 cm · General

I wanted to capture the feeling of longing and protection I am trying to branch out in my style and would love to know what emotions were captured through this piece when you saw it Please give as much feedback as possible

Elena Hollett · Oil on canvas · 70x50 cm · General

Lady in Red is a figurative oil painting built around theatrical glamour, controlled pose, and a deliberately restricted palette. A seated lady is posed at the centre of a nightclub/restaurant interior, surrounded by curtains, table lighting, glassware, polished floorboards, and scattered points of illumination.

Mohamed Djibryl Yaméogo · Photo · General

J'aimerais avoir vos avis sur cette photo prise au Japon. Je ne l'ai jamais publié. Je l'a mets ici pour avoir de avis d'experts. Il y avait juste la volonté de créer quelque chose , essayer une composition différente. Merci d'avance pour vos commentaire

Don Mangold · Photography · General

I usually photograph Landscapes but this little beauty landed in front of me and could not resist. tell me what you think please. I like the shallow depth of field because it makes the butterfly stand out. Should it be cropped more. Thanks for taking a look.

Tania Luz · Óleo sobre tela/miçangas de vidro · 70x50 · General

Além de mostrar a necessidade de se preservar a natureza , habitat de varias espécies, uma homenagem à meu sobrinho Julio César (deficiente visual total), responsável por produzir as tiras dessas minúsculas miçangas de vidro que colei no tronco da árvore

Kayla Richardson · Procreate · 1616x1302px · General

I’m looking for critique mostly on colour balance, contrast, and readability. I really wanted the bright pink, green, purple, and yellow palette to feel playful without becoming overwhelming. I’d also love feedback on the anatomy, pose, line weight/confidence, and whether the character still feels expressive and cohesive overall.