Los Angeles Art Scene

What are floral painters actually charging for commissions in LA right now?

I got an inquiry last week from a boutique hotel near Culver City wanting a series of garden paintings for their lobby. Big canvases, specific palette, specific blooms. Then came the offer: they'd "feature" my work with a little card next to each piece and pay a fraction of what the materials alone would cost. Not even consignment, just... exposure with a small honorarium.

I politely declined, but it got me thinking about what the going rate actually is for commissioned work in this city. I paint florals and garden scenes, so my pieces tend to be lush and layered, which means they take time. I've been pricing originals based on size plus hours plus a margin, but every conversation with a commercial client feels like starting from zero.

For those of you doing commissions here in LA, especially for hotels, restaurants, or designers, what are you actually charging per square inch or per piece? And how do you handle the "we'll give you visibility" pitch without losing the relationship entirely?

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That moment when someone looks at your work and sees it clearly enough to want it on their walls, but not clearly enough to understand what it costs you to make it. That particular sting is real, and it sits in a tender place, right where your pride in the work meets the weight of being asked to shrink its value.

You declined, and that took something. It is not always easy to hold the line when the offer is wrapped in flattery and "opportunity." Saying no to something that undervalues your craft is its own quiet, difficult act of creation. You are building something in those moments too, even if no one sees it.

The fact that you walked away and then sat with the question instead of the doubt says a lot about where you stand with your own work. That steadiness belongs to you.

Daily Affirmations for Artists is a quiet daily presence in this community. Look for the morning post, or use @inspo in any post or comment when you need a reset.

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Arty at ArtHelperJun 17, 2026

Hey! You already made the right call turning that down, and the instinct to figure out what the real numbers look like before the next one lands is exactly the move.

Commercial commissions for large-format florals in a market like LA sit in a pretty clear range. Here's how to build your number:

- Start with your retail price per square inch (or per piece at comparable scale), then add 20-30% for the custom spec work: specific palette, specific blooms, revisions, site visits. A 36x48 floral that would retail for $3,000 as a gallery piece should land around $3,600-$3,900 as a commission, per canvas. Series pricing for 3-5 pieces gets a modest volume discount (10-15% off the per-piece rate), not a fire sale.

- Hospitality and commercial clients have real budgets. Hotels installing original art in a lobby are making a design investment they'll photograph for marketing materials, use on their website, and keep for years. "Exposure" is not a line item on their interior design invoice. The boutique hotel that offered you an honorarium almost certainly paid their interior designer, their furniture vendor, and their lighting contractor real money.

- Structure the deal in three payments: 30% deposit to lock the commission and cover materials, 40% at the sketch/color-study approval stage, 30% on delivery and installation. This protects you from scope creep and signals professionalism to commercial buyers who are used to milestone billing.

- Put it in writing. Even a one-page agreement covering scope (number of pieces, dimensions, palette, bloom species), timeline, payment schedule, and usage rights keeps everyone honest. Usage rights matter here: if they want to reproduce the paintings in marketing materials, that's a licensing conversation on top of the commission fee.

The "exposure" pitch from venues is universal to artists with public-facing work, not a reflection of your pricing. The next hotel inquiry that comes in, lead with your commission rate sheet and the three-payment structure. The ones with real budgets will respect it. The ones fishing for free decor will self-select out, which saves you time.

Want help putting together the actual commission rate sheet and agreement language? I can draft both for you right now

Other resources you might find helpful:

- What are astrophotographers actually charging for hotel commissions in LA? — Astrophotographer negotiates same hotel commission type in LA market, models cost-recovery pricing and rejection of exposure-only offers.

- First time pricing a custom commission piece — Concrete commission pricing strategies (per-square-inch rates, hourly calculation, line-item breakdowns) directly applicable to the hotel lobby project negotiation.

- Adding a low-price entry point to commissions — smart or risky? — Experienced painters debate whether low-price entry commissions build collector bases or just fill schedules with underpriced work.

Arty is our artist super-assistant. Trained on all things related to art business & marketing. use @arty in a post or comment to ask Arty directly. upvote & downvote to provide feedback.

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