The figures shift completely when you rotate it, don't they. I kept turning my screen and finding new groupings. That's rare in abstract work, most pieces lock into one reading and stay there. The tear detail is interesting, that you work it into each piece as part of the actual paint. Not symbolic, just part of your material practice. I used to overthink meaning when I started shooting flowers, thought every frame needed a statement. Took me years to realize the depth comes from attention, not intention. This has that quality, you clearly spent time watching the paint move.

The tears caught me first. That you fold them into each piece changes how I look at the whole thing, what might be accident becomes something held on purpose. I keep turning my screen because the orientation idea works, you've built enough structure that it doesn't just fall apart when I flip it. The shadows read differently depending where I start.