Painting

How necessary is understanding color theory?

Did studying it actually change how you work, or did you mostly just figure it out by eye?

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Mary Planding1d ago

We all are instinctively drawn to colors we like. (For people who aren't color blind.) And over time, our preferences change. What we liked at 5 years is vastly different than what we like as we got older. We're influenced by so many factors in our environment, and then there are our own physical limitations. No two people see a color exactly the same.

With that said, I have found that teaching and understanding color theory makes my own work stronger. It allows me to understand my own preferences, and to enhance my chosen palette. It also opens one up to other color palettes and ways of pulling colors together that elicit different emotions. Without at least a minimal grasp of color theory, I find budding artists floundering and stuck in ruts. My two cents. 😄

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Translated from Français

Yes, color theory has helped me a lot. Avoid muddy colors and a pure and coherent effect.

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Judging by the number of responses, I'd say that colour theory is not well known. It basically educates a person on the attributes of color and it can be very helpful to know how they can successfully interact and communicate and how they do not.

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Dee Hogg1d ago

I tutored in different subjects with Rhodec International in the early 2000s, including colour. It is well worth studying and practicing colour theory, it can only make your art better

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Velda9h ago

A bit of both...I studied the color chart with a course. How colors support each other, or weaken each other. It depends upon my mood whereby I just choose on instinct and sometimes logic. V

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I have always had an eye for color, so studying it would be a "no". However, Mary P makes a good point on how our preferences change. Lately, I have been playing with color and how they merge and some that I would have never put together, now, I am. Fascinating subject.

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I have been self-teaching myself since 2022 and just now am taking a course in color theory- it is a total TOTAL TOTAL TOTALLLLLLLLL game changer. Try this easy one for yourself- take lemon yellow and dioxazine purple onto your palette. Yellow and purple are opposite each other on the color wheel.

Ok- so you have your yellow, paint a swatch of it on paper

Then, add a TINY but of purple and mix it with the yellow, paint a swatch next to your pure yellow swatch. This makes the yellow slightly grayer.

Keep going- adding more and more purple to the yellow and watch the yellow get less and less intense without having to ruin its hue with black.

The fun part is that when painting a shadow of an object, or painting half an object that is in the sun while the other half is shaded, adding the color's complement will create its perfect shadow color.

This works with all colors on the wheel- need to tone down a green? Add a dab of red. Need to tone down a vibrant red? Add a dab of green.

It does get a bit more complex when you factor in whether your color is warm or cool- the key to understanding this is: if you have all three primary colors in your mixture, it will be a gray, which is sometimes what you want and sometimes not. So if you mix a cool yellow with a cool green, you're leaving red out of the picture, and you only have two primary colors represented (blue and yellow), so your resulting color will be a "clean" green. If you mix a cool yellow with a warm green that is closer to red on the color wheel, your resulting color will be a more greyish green bc now you have all 3 primaries in it, which will always yield a grayish shade.

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I had 3 years of Color Theory and Color Concepts. 2 with the Dean being the instructor, one tough cookie, but I learned a lot and used what I learned in my Cottage Craft Business for about 10 years, Free Lance Painting Business for 40 plus years til present, in my Textile and Wallpaper Designs and for my Graphic Design Job for over 30 yrs. It is extremely important, especially when creating for the public. It comes without thought and more as a feeling by now. If something is off with one of my paintings, I know it's not the color, shade, or tone.

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for me it was trial and error. I was formally trained ( secondary teacher ) and find I teach my students to explore and question regarding colours rather than following a formula. Of course some understanding helps but not essential.

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