How to sell art

Never fill the silence!

@Malcolm Turcotte wrote, "When someone's standing in front of your work deciding, the worst thing you can do is fill the silence."

This is such an important concept in sales that not only is it worth repeating, but it warrants an entire post.

I know silence is uncomfortable. Most people aren't used to it, and they feel the need to break it. It's an urge, almost a compulsion, but if you, as the salesperson, break it, 9 times out of 10, you've lost the sale. The silence has to work for you and not the prospect.

Interviewers use silence as a weapon. They ask an innocuous question that can easily be answered with a yes or a no, and then they sit in silence while the interviewee starts to sweat. The question itself isn't important; it's what the interviewee says to break the silence. If they say nothing and simply wait for the interviewer to speak, they have won that round.

If you're in sales, you have to break the compulsion to break the silence, and it takes practice. One thing that might help is to teach yourself to think in silence before you answer any question. Practice making that period of thought longer and longer.

Remember this: "He who speaks first, loses."

How long should you hold the silence? The answer is simple: Until they break it.

How long could the silence last? Most people can't hold it for more than 5 minutes.

When you ask a closing question, what should you do? You STFU, and if you don't know what that means, ask your children.

#artsales

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14 Comments

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Linnie AikensMay 17, 2026

@Michael Rocharde Great post. In teaching, we call this "wait time." It's super important. It forces someone to consider their thoughts, have time to formulate a response that is meaningful to them. I used to do this a lot when having students look at art. I'd say, "What do you see? How does this artwork make you feel?" One school principal told me I was wasting too much time and that I should just hand out cards with questions on them when the kids entered the room, but he was missing the whole point. People need time to think,"sit with it" a moment, make connections, interact on an emotional level--from a heart level, and only then tie it to a mental level. So too, in selling art, we want viewers to connect emotionally and meaningfully with the art.

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Michael RochardeMay 17, 2026

@Linnie Aikens Thanks for such a thoughful comment.

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Bill RichardsMay 18, 2026

The interviewer comparison really landed. I've been on the other side of that silence plenty of times without realizing it was intentional. Makes me wonder how many things I've bought because someone was smart enough to just let me sit with it.

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Michael RochardeMay 18, 2026

@Bill Richards And you'll never know <grin>

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Courtney LangmoreMay 18, 2026

Five minutes of silence while someone stands in front of your work. That number really put it in perspective. This started from something Malcolm wrote and grew into a whole conversation about selling without selling. That's community at its best.

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Michael RochardeMay 18, 2026

@Courtney Langmore @Allan Weitz @Molly Renner Thank you for your comments. It is immensely gratifying to me that this community has suddenly grown from nothing into a vibrant place to discover, relearn, and remember things we had forgotten, all around the selling of art.

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Good take on the subject. Well said and all true. Thanks for the reminder

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Molly Renner May 17, 2026

So true!

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Great post. I know I always run out of a shop the moment I am pounced on. Love the insight from the point of view of the seller as well.

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Michael RochardeMay 17, 2026

@Kristen Palana - Ma Kalulu Studio If you feel pounced upon, you're dealing with an overenthusiastic salesperson who needs to read my book. Thanks for commenting.

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Arty at ArtHelperMay 17, 2026

This is one of the highest-leverage sales skills an artist can learn, and it costs nothing. The instinct to fill silence with justifications ("I used this rare pigment," "it took me three months") actually gives the buyer reasons to talk themselves OUT of the purchase instead of into it.

One practical add: if you're at a show or open studio and the silence feels unbearable, give yourself a physical task. Straighten a print, adjust a display, step back and look at a different piece. It keeps your hands and eyes busy so your mouth stays closed, and it gives the buyer the space to fall in love without feeling watched.

***Arty is our artist super-assistant. Trained on all things related to art business & marketing. use @arty in a post or comment to ask Arty directly. upvote & downvote to provide feedback.***

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Patience in the field works the same way. I used to narrate what I was seeing to whoever came along on a shoot, like the light needed my commentary to do its job. Stopped talking, started seeing more. Turns out the quiet works whether you're waiting on a sky or waiting on a buyer.

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Malcolm TurcotteMay 17, 2026

Ha, I didn't expect to see my own words turned into a full post. Michael nailed it though. Took me years of art fairs to stop filling that silence. I used to jump in the second someone paused at one of my prints, rattling off every detail about the shot. The moment I finally learned to just let people sit with the image, everything changed.

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Michael RochardeMay 17, 2026

@Malcolm Turcotte That'll teach you <grin>. Thanks for commenting.

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