How good does your work have to be ...
... to get into a Gallery?
This is a question many artists struggle with. Am I good enough? Is my work sellable? Those questions, and others, can only be answered by Gallery Management. We, artists, are not objective enough. Sure, we think our work is great, but what do we know? We can't ask friends or family because, too often, they will answer with what they think we want to hear. I have no idea how many artists came into the galleries I worked at, saying, "Everybody tells me that my work is great." Then you look at it, and it is the worst, most amateurish work you've ever seen. What do you say? I used to tell the truth, even though I knew it would hurt, because the longer the delusion lasts, the harder it will be to deal with.
But, back to the original question. The answer is, your work has to be exceptional, and it has to be commercial enough for the Gallery to take a risk, and it is always a risk because display space is expensive. I've had to make judgment calls sometimes and tell an exceptionally talented artist, "I'm sorry, but no." I could have easily been wrong, and I'll never know.
A friend of mine was offered the chance to become the publisher of an artist who was painting scenes of San Francisco. He didn't think they were very good, and I agreed with him. He turned it down. That artist was Thomas Kinkade. Oops! Honestly, I hated his work. If somebody had given it to me, I would have given it back or donated it to a thrift shop, but we sold thousands of his limited edition prints. Customers would come in and buy 5 or 6 of them at a time.
If you get turned down by a gallery, though, don't be discouraged; it doesn't mean your work isn't any good. It just means that it might not work for that Gallery.
#artsales
@Caliban RAMIREZ For a work to be in a gallery, the artist could first make an inventory of their body of work. And if there are more than 25 works, they should have a story to tell. They should be well cataloged, with their dimensions, titles, and techniques. For the other method of knowing whether it is possible to defend the proposed creation, it is also about highlighting a dialogue and a presentation approach. Everything must be put into practice. It is a task of installation and exhibition design. For all these reasons, display their work. It must be well prepared. In order to reach an audience.