Pedido de crítica – “Majestade do Elefante” (lápis de cor)
Traduzido de English
Este é “Majestade do Elefante,” uma desenho em lápis de cor de um elefante em papel Fabriano Artistico.
Gostaria muito de receber críticas específicas sobre:
Os valores (claros/escuros) parecem fortes o suficiente, ou deveria aumentar mais o contraste?
A textura da pele parece realista, ou há áreas que parecem planas?
Alguma sugestão de mudanças no plano de fundo ou composição que possam elevar esta peça?
Todos os níveis de crítica são bem-vindos – sinta-se à vontade para ser detalhado e honesto. Obrigado antecipadamente!
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I would say you have great potential. It appears you have ‘the gift’, but you need to develop it.
In this drawing, the sky is overcast. We need better lighting to see the subject more clearly and make it more exciting. Bright light from top-left, weaker light from right. And feel free to use tricks - e.g., reflected light.
I'd say you're somewhere between the following:
- Wanting to record every detail (e.g., draw every single crease in the skin), in which case it fails because you haven’t gone far enough. You should at least focus on a particular area - say, the face and part of the way down the trunk.
- Giving an overall impression, in which case it is overworked because the human brain does not need all that information to interpret your message. For example, over a large area, we only need to see half a dozen bricks to know that the area represents a large brick wall.
Do you have any sketches? Did you study the subject before finally rendering it (e.g., by visiting a zoo to make sketches)?
Your drawing is a copy of another 2-dimensional rendering. You need to draw from life. Ditch the colored pens and paint sticks for now. Use hard and soft pencils to create still life monochromes. Use erasers as little as possible; construction lines in sketches and intermediary drawings are crucial for learning, and also for showing how you arrived at your final representation.
You should also attend life drawing classes. Find a class where the model provides several poses and a quick-fire half-hour session where they change position every couple of minutes. This is a great exercise for learning how to sketch moving objects like animals, children, etc. There's nothing wrong with using photographs and illustrations for reference. Indeed, they can often be the only source of reference. However, you need to observe things in the real world.
I estimate only 5% of people have a natural talent for draughtsmanship. It looks like you are one of them. To find out, you must aim to produce accurate 2-dimensional renderings directly from the 3-dimensional world around you.
Seu ponto sobre a iluminação e o valor faz muito sentido, especialmente referente à falta de uma fonte de luz forte. Agora consigo perceber como isso está afetando a profundidade geral.
A observação sobre estar entre a renderização detalhada e a impressão geral também é muito útil—eu não tinha pensado conscientemente sobre isso dessa forma, mas entendo o que você quer dizer. Vou trabalhar para ser mais intencional com o foco e simplificar as áreas menos importantes.
Eu tenho trabalhado principalmente com referências de fotos, então sua sugestão de desenhar da vida e fazer mais estudos é algo que certamente começarei a incorporar.
Mais uma vez, obrigado pela crítica honesta e construtiva—é muito útil para meu crescimento.