Plein Air Painters
(edited)

Your biggest challenge(s) when painting en plein air

What are yours?

When I was living and painting on California's Central Coast, my biggest challenge was the wind off the Pacific Ocean. 🤣 I had to weight down my easel so it didn't go anywhere (I can't tell you how many times I'd turn my back for an instant and it would go flying. And then, because it's always so sunny, and the sun was often behind me, I had to use umbrellas. And figuring out which umbrella to use and how to weight it was another challenge. I ended up using Guerrilla Painter's Shade Buddy and attaching it to containers I filled up with sand (and dumped out) whenever I was painting along the water.

In North Carolina's mountains, it was dealing with the rain, insects, and snakes. Bug spray, my Shade Buddy, and tall boots became my best friends.

In Florida - I couldn't handle the heat and humidity most of the year, so I only went out in the winter when it was a bit cooler and less humid. This meant getting up super early, which, BTW was when the alligators were out. So, no hanging out by marshes! Again, bug spray, umbrella, and tall boots if I was in the interior. If by the shore, my umbrella and lots of water to stay hydrated.

In DC/Virginia - I'd go painting in the winter with a group of folks. I was painting with pastels, they were struggling with watercolor until they passed around a bottle of vodka to use instead of water to charge their pigments! 🤣 Then it was finding and wearing a pair of fingerless gloves that had mitten covers. Those were precious to me. Still have them ....

I'd love to hear from the rest of you!

6

6 Comments

Sort by:
Courtney LangmoreApr 10, 2026

The vodka to keep the watercolors from freezing in a DC winter is genuinely one of the best plein air stories I have ever heard. And the fingerless gloves with mitten covers! You clearly committed fully to wherever the painting took you.

1
Mary PlandingApr 10, 2026

Thanks Courtney. As a teenager I used to race one-design sailboats called Penguins, in the winter. These boats were designed specifically for winter racing and these events were called "frostbite regattas" (for good reason). SO while I don't especially love being out in the frigid temperatures of winters, if you learn to dress appropriately, you can be very comfortable. So needless to say, I was very bundled up in multiple layers, and while my mobility was a little challenging (think Michelin Man), as long as I could move my arms and fingers, it was all good! Catching the light in winter is quite the challenge because you have such little time to do it. 🤣

0
Bill RichardsApr 10, 2026

The vodka story is going to live in my head for a while. A group of painters passing a bottle around to keep their watercolors liquid in a DC winter is one of the most unexpectedly human things I've read on here in months.

1
Mary PlandingApr 10, 2026

Glad you got a bit of a chuckle out of that Bill. My buddies were good about saving the last of the vodka for a quick toast at the local coffee shop before we headed home at the end of the day was a welcome ritual. They were such a great group of folks. I miss 'em.

0
Lindy Cook SevernsApr 9, 2026

The West Texas wind is not easel-friendly, nor umbrella-friendly. After I watched it demolish 3 different "wind-resistant" umbrellas, I started first looking for shade to set up in as one of my first criteria for selecting a vista to paint. This pampered artist approach still works for me!

1
Mary PlandingApr 9, 2026

I totally get it! Given where you live, shade is imperative! Sometimes the location doesn't lend itself to giving you natural shade. What's the hottest temperature you've ever tolerated while painting? I can't do much above 80 myself. I melt!

0