New York City Art Scene
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"Chief of Lonely Street ©," a recently completed original done with pastel, about 15" x 22" unframed, rendered on a sheet of Canson Mi-Teintes rag paper, Steel Gray, using a mix of soft pastel brands, mostly Rembrandt, and NuPastel hard pastel. Some detail work rendered with CarbOthello pastel pencil. A light coat of Lascaux fixitive was applied. Much of my work is sourced from black-and-white photographs I shot in my hometown in Tunkhannock, Pennsylvania for a college art class about 50 years ago. I didn't like this one after I had finished it, but it continues to grow on me. The story of the young boy on the left struggling to be included with the others leaves a mark. Rendering the asphalt was particularly difficult, but I like to complaing. Curious about more of my work? Visit my website: RandySteelePortfolio.com

Posted in New York City Art Scene (edited)
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Sadie Webb3d ago

The story staying with you across those years makes sense. Some frames carry more than the moment they caught.

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Kristofer Corwin3d ago

Fifty years is a long hold for a negative, and then turning it into pastel now. That gap says something about which frames stay with you. The asphalt complaint made me smile, rendering a surface that reads as both flat and textured is its own quiet problem.

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Randy Steele3d ago

"... rendering a surface that reads as both flat and textured is its own quiet problem." Oh, so so true, Kristofer. Thanks for your note. Greatly appreciated.

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Kristofer Corwin3d ago

That surface problem tracks across a lot of mediums, honestly. Once you see it you can't unsee it.

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