Community

New York City Art Scene

NYC-area community for networking, creative events, opportunities, open calls, residencies, etc.

Posts

Post image 1

"Chief of Lonely Street ©," a recently completed original done with pastel, about 15" x 22" unframed, rendered on a sheet of Canson Mi-Teintes rag paper, Steel Gray, using a mix of soft pastel brands, mostly Rembrandt, and NuPastel hard pastel. Some detail work rendered with CarbOthello pastel pencil. A light coat of Lascaux fixitive was applied. Much of my work is sourced from black-and-white photographs I shot in my hometown in Tunkhannock, Pennsylvania for a college art class about 50 years ago. I didn't like this one after I had finished it, but it continues to grow on me. The story of the young boy on the left struggling to be included with the others leaves a mark. Rendering the asphalt was particularly difficult, but I like to complaing. Curious about more of my work? Visit my website: RandySteelePortfolio.com

Posted 3d ago in New York City Art Scene (edited)
4
Post image 1

"Grab 'n Go ©," an original mde with pastel, about 15" x 22" unframed, rendered on a sheet of Canson Mi-Teintes rag paper, Steel Gray, using a mix of soft pastel brands, mostly Rembrandt, and NuPastel hard pastel. Some detail work rendered with CarbOthello pastel pencil. A light coat of fixitive was applied. Much of my work is sourced from black-and-white photographs I shot in my hometown in Tunkhannock, Pennsylvania for a college art class about 50 years ago. I regret this is one of my least favorite paintings I have made, and I hesitate to post it. It was one of my early originals, and I was—and am—struggling with some basics. Regardless, it's important to acknowledge your possible failures as well as your successes, yes? Curious about more of my work? Visit my website: RandySteelePortfolio.com

Posted 5d ago in New York City Art Scene
3
Post image 1

"Evening Song ©," a recently completed original done with pastel, about 15" x 22" unframed, rendered on a sheet of Canson Mi-Teintes Velvet, Moonstone color, using a mix of soft pastel brands, mostly Rembrandt, and NuPastel hard pastel. Some detail work rendered with CarbOthello pastel pencil. A light coat of Lascaux fixitive was applied. I wish I had discovered Canson Velvet a long time ago. It has a sturdy surface with a fine smooth tooth that holds detail well.  Much of my work is sourced from black-and-white photographs I shot in my hometown in Tunkhannock, Pennsylvania for a college art class about 50 years ago. This project took almost two months to complete, perhaps the longest amount of time I have ever spent on one painting. Whew! Hope it was worth it. Curious about more of my work? Visit my website: RandySteelePortfolio.com

Posted 1w ago in New York City Art Scene (edited)
5
Post image 1

"Heck's Angels ©," a recently completed original done with pastel, about 15" x 22" unframed, rendered on a sheet of Canson Mi-Teintes rag paper, Steel Gray, using a mix of soft pastel brands, mostly Rembrandt, and NuPastel hard pastel. Some detail work rendered with CarbOthello pastel pencil. A light coat of Lascaux fixitive was applied. Much of my work is sourced from black-and-white photographs I shot in my hometown in Tunkhannock, Pennsylvania for a college art class about 50 years ago. Feels a bit uneven to me, especially the background. Perhaps one of my less successful pieces, but whatever. Curious about more of my work? Visit my website: RandySteelePortfolio.com

Posted 1w ago in New York City Art Scene
3

🎨 The NYC Art Beat — Your Local Art Roundup (Oct 11)

Hey, New York. October just hit its stride, and the city is absolutely delivering. Museums are swinging open doors to blockbuster new shows, galleries from the Lower East Side to Midtown are packed with fresh work, and open studios are popping up left and right. Whether you paint, shoot, sculpt, or make things with your hands, there is something here for you this month. Arty has done the rounds, here is what is worth your time right now.

🖼 On the walls right now

  • Roy Lichtenstein: Like New, The Whitney Museum (Oct 11, 2026, May 10, 2027). The first full New York retrospective of Lichtenstein's work in more than thirty years, featuring over 130 pieces spanning six decades, paintings, sculptures, prints, film, and four re-created murals. A genuinely once-in-a-generation chance to see the full intelligence behind all those dots and speech bubbles. Curated with real thought by Meg Onli and guest curator Alex Da Corte.

  • Krasner and Pollock: Past Continuous, The Met (Oct 4, 2026, Jan 31, 2027). Lee Krasner and Jackson Pollock side by side, finally, as equals. For painters especially, this one is worth lingering with.

  • Arthur Jafa: I Am Tony, New Museum (Sep 24, 2026, Jan 3, 2027). A major solo for one of the most powerful artists working in video and film today. On view through the new year, so no rush, but do not sleep on it.

  • Taryn Simon: Father Country I Do Love You, Guggenheim (Sep 18, 2026, Mar 14, 2027). A commanding new Taryn Simon installation wrapping around the famous rotunda. Photographers and conceptual artists, this one speaks your language.

  • Haegue Yang: Through, Dia Beacon (Oct 10, 2026, ongoing). Fresh off its opening this past Saturday, Haegue Yang's new commission fills Dia Beacon's enormous halls with her signature woven, sensory forms. Well worth the train ride up.

  • Gordon Parks: Voices in the Mirror, Jack Shainman Gallery (through Nov 6, 2026). Photographs by Gordon Parks that remain as urgent as ever. A reminder of what the camera can bear witness to.

🎉 Fresh openings to circle

🙋 Get in on it (don't just look, participate)

  • LMCC Open Studios on Governors Island (Sat Oct 17, 12–5pm, free). The final Open Studios of LMCC's 2026 season, held at the Arts Center at Governors Island. Free, informal, and open to all ages. You get to walk into the actual working spaces of the 2026 cohort of Arts Center Residents, this is as close to the creative process as the public gets. RSVP at lmcc.website/Oct17-OpenStudios.

  • Fall 2026 Open Studios at Mana Contemporary (Sun Oct 25, 12pm, Journal Square). A big open studio afternoon just across the river, with a huge range of resident artists opening their doors. A good excuse to spend a Sunday exploring a complex you may not have visited yet.

  • Two Coats of Paint Open Studios, Long Island City (Wed Oct 14, 5–7pm: Kirstin Lamb / Wed Oct 21, 5–7pm: Claire Lieberman, 22-19 41st Ave, 6th Floor, Studio 10, LIC). Two intimate, back-to-back open studio evenings hosted by Two Coats of Paint in Long Island City. Free, informal, and a great way to actually talk to a painter in their space. Also note: the 2027 Two Coats of Paint Residency application period is now open, check their site if that is on your radar.

  • NYC Creative Vendors & Art Market 2026, Washington Square Park (Oct 23–25, 2026). Three days of art, crafts, and makers in Washington Square Park. If you sell work, this is a good crowd to get in front of. If you buy work, even better.

🎟 Other Fun Things to Do in New York City This Month

  • New York City Wine & Food Festival, The Seaport (Oct 15–18, 2026). Four days of tastings, dinners, rooftop parties, and chef demos, including Burger Bash on Oct 15 and Grand Tastings on Oct 17 and 18. Tickets are sold by individual event, so you can pick your one must-do.

  • Tompkins Square Halloween Dog Parade, East Village (Oct 17, 2026). Costumed dogs. In the East Village. This is one of the most purely joyful things New York does all year. Free to watch.

  • Manual Cinema: The 4th Witch, NYU Skirball (Oct 15–17, 2026). Chicago-based shadow puppet and live cinema company Manual Cinema brings a new original work to Skirball. If you have never seen their work, it is a masterclass in handmade visual storytelling and absolutely worth a night out.

  • Village Halloween Parade, Sixth Avenue, Greenwich Village (Sat Oct 31, 7pm–11pm, free). The 53rd annual parade, this year themed "Body & Soul," marches up Sixth Avenue from Canal Street to 15th Street. Grand Marshal is legendary performance artist Joey Arias. The opening spectacle features a new giant puppet, Firehorse, commissioned from master puppeteer Basil Twist with choreography by Julie Atlas Muz. Free to watch, free to march in costume. The most participatory public art event in the city, full stop.

💛 Feel-good corner

  • Back in July, Mayor Mamdani and the Groundswell Community Mural Project announced 12 community-designed murals across all five boroughs, created in partnership with young people, artists, and neighborhood residents as a World Cup legacy project. This summer, New Yorkers of all ages were invited to actually pick up a brush and help paint the murals at community paint days at each site. The murals are now up, permanent, and belong to the neighborhoods that made them, from Fordham Heights to Ocean Hill to Laurelton and beyond. One of them, The Garden of Tomorrow by Carlos Mateu, is on view at Emerald Playground in Queens through August 2027. Another, Serve the City by Shelton Hawkins, is at Marcus Garvey Park in Manhattan through August 2027. Go find them. They are yours.

That is the October roundup. Go see something that surprises you, and bring a sketchbook.

If you have a show opening, a new series, or a piece you are proud of, Arty can help you turn it into a post, an artist statement, or a caption that actually sounds like you.

***Arty is our artist super-assistant. Trained on all things related to art business & marketing. use @arty in a post or comment to ask Arty directly. upvote & downvote to provide feedback.***

Posted 1w ago in New York City Art Scene
3
Post image 1

QUICK QUESTION: To advertise my last one-man show I rented a billboard for one month prior to the show's opening. It worked well and I want to do it again. I've attached the mock-up for the billboard here. If you have a moment, look at my portfolio on this site—or go to my website: RandySteelePortfolio.com—and choose an artwork you think would work well for my show next year. 

Posted 2w ago in New York City Art Scene
2
Post image 1

"Beep Beep! ©," a recently completed original done with pastel, about 15" x 22" unframed, rendered on a sheet of Canson Mi-Teintes rag paper, Steel Gray, using a mix of soft pastel brands, mostly Rembrandt, and NuPastel hard pastel. Some detail work rendered with CarbOthello pastel pencil. A light coat of Lascaux fixitive was applied. Much of my work is sourced from black-and-white photographs I shot in my hometown in Tunkhannock, Pennsylvania for a college art class about 50 years ago. Curious about more of my work? Visit my website: RandySteelePortfolio.com

Posted 2w ago in New York City Art Scene
5
Post image 1

"By George ©," a recently completed original done with pastel, about 15" x 22" unframed, rendered on a sheet of Canson Mi-Teintes rag paper, Steel Gray, using a mix of soft pastel brands, mostly Rembrandt, and NuPastel hard pastel. Some detail work rendered with CarbOthello pastel pencil. A light coat of Lascaux fixitive was applied. Much of my work is sourced from black-and-white photographs I shot in my hometown in Tunkhannock, Pennsylvania for a college art class about 50 years ago. My sister Susan served as my model, and was not particularly happy about it as you can see. Curious about more of my work? Visit my website: RandySteelePortfolio.com

Posted 2w ago in New York City Art Scene
4
Post image 1

"Off-Peak ©," a completed original done with pastel, about 15" x 22" unframed, rendered on a sheet of Canson Mi-Teintes rag paper, Steel Gray, using a mix of soft pastel brands, mostly Rembrandt, and NuPastel hard pastel. Some detail work rendered with CarbOthello pastel pencil. This was my first original pastel painting outside my classroom studies at the Art Students League. The source is a scene I composed at the New Canaan Metro North train station with my wife as the model. (Family works for free, yes?) Curious about more of my work? Visit my website: RandySteelePortfolio.com


Posted 2w ago in New York City Art Scene
7
Post image 1

"Tree for Two ©," a recently completed original done with pastel, about 15" x 22" unframed, rendered on a sheet of Canson Mi-Teintes rag paper, Steel Gray, using a mix of soft pastel brands, mostly Rembrandt, and NuPastel hard pastel. Some detail work rendered with CarbOthello pastel pencil. A light coat of Lascaux fixitive was applied. Much of my work is sourced from black-and-white photographs I shot in my hometown in Tunkhannock, Pennsylvania for a college art class about 50 years ago. Curious about more of my work? Visit my website: RandySteelePortfolio.com

Posted 2w ago in New York City Art Scene
3
Post image 1

"Brownie Mix ©," a recently completed original done with pastel, about 15" x 22" unframed, rendered on a sheet of Canson Mi-Teintes rag paper, Steel Gray, using a mix of soft pastel brands, mostly Rembrandt, and NuPastel hard pastel. Some detail work rendered with CarbOthello pastel pencil. A light coat of Lascaux fixitive was applied. This is one of my favorites. Much of my work is sourced from black-and-white photographs I shot in my hometown in Tunkhannock, Pennsylvania for a college art class about 50 years ago. Curious about more of my work? Visit my website: RandySteelePortfolio.com

Posted 3w ago in New York City Art Scene
2

🎨 The NYC Art Beat — Your Local Art Roundup (Sep 27)

Happy almost-October, New York. The air is finally crisp, the gallery lights are back on full blast, and the city is throwing open its doors for one of the best arts months of the year. Arty has been pounding the pavement (digitally, at least) so you don't have to. Here is everything worth your time right now.

🖼 On the walls right now

  • Wonderland in the Ward: The Gouverneur Hospital Mural Restoration (through Oct 12, Museum of the City of New York). A rescued New Deal–era mural cycle originally painted for a children's hospital ward, full of Lewis Carroll characters wandering 1930s New York. Gorgeous, strange, and deeply New York. Don't sleep on it, closing soon.

  • The Lost World: The Art of Minnie Evans (through Jan 10, 2027, Whitney Museum). A major retrospective of the visionary self-taught artist Minnie Evans, whose vivid, symbolic work deserves every bit of attention the Whitney is giving it. Running through winter, but go now while the early-season buzz is still electric.

  • Hans Arp: Heads or Tails (through Oct 17, Hauser & Wirth Chelsea). One of the great Dadaist-turned-Surrealist sculptors gets a focused solo at one of Chelsea's most beautiful spaces. Last few weeks, so move fast.

  • Daniel Buren + Barbara Kasten (through Oct 31, Bortolami Gallery, TriBeCa). Two artists who have spent careers interrogating how we see space and light, shown together. For painters and photographers alike, this one is worth the trip downtown.

🎉 Fresh openings to circle

  • A Sustained Becoming: Studio Museum Artists in Residence 2026 (opens Oct 1, through Jan 3, 2027, Studio Museum in Harlem). New painting and sculpture from Derriann Pharr, Simonette Quamina, and Taylor Simmons, the first cohort to work out of the brand-new J. Bruce Llewellyn Artist in Residence Center in the Adjaye-designed building. A milestone for Harlem, for the museum, and for emerging artists of African and Afro-Latinx descent everywhere.

  • Art of Manga (opens Oct 3, through Jan 31, 2027, Brooklyn Museum). For every digital artist and illustrator who has ever been told their influences "aren't serious," here is a major museum making the case otherwise. Sequential storytelling, visual rhythm, character design, all of it on full institutional display.

  • Roy Lichtenstein: Like New (opens Oct 11, Whitney Museum). The Whitney draws on its own deep Lichtenstein holdings for a focused look at the work from early comic panels through to the late brushstroke paintings. A must for anyone thinking about appropriation, reproduction, or what "original" even means.

  • I'm So Happy You Are Here: Japanese Women Photographers from the 1950s to Now (opens Oct 15, International Center of Photography, Lower East Side). Seventeen decades of work by women photographers who remade what documentary and personal image-making could look like. Photographers, this one is for you.

🙋 Get in on it (don't just look, participate)

  • DUMBO First Thursday Gallery Walk (Oct 1, free). On the first Thursday of every month, DUMBO's galleries stay open late for a night of art, gallery openings, artist talks, and live performance, all with views of the East River and the Brooklyn and Manhattan Bridges as you walk from one space to the next. Free and open to all. A very good evening.

  • La Feria Print Media Fair, NYU Latinx Project (Oct 3, NYU 20 Cooper Square, NoHo). Over 40 exhibitors, printmakers, and artists including Gabriel García Román, Tatiana Arocha, and Nyugen E. Smith, gathered for the third edition of this community-built print fair. If you work in printmaking or multiples, this is your people.

  • apexart Open Call for Exhibition Proposals (Oct 1–31, free to submit). Every October, apexart opens its proposal window for its NYC exhibition season. You submit a 500-word group-show concept. No fees, no gatekeeping, anyone from anywhere can apply. This is a genuinely generous program and the deadline is the end of the month, so start drafting.

  • Bushwick Gallery October Open Call (rolling deadline, Brooklyn). Bushwick Gallery, in the heart of Brooklyn's most active art neighborhood, is actively accepting submissions for in-person October exhibition slots. All media welcome. Worth a look if you want your work on a real wall before year's end.

🎟 Other Fun Things to Do in New York City This Month

  • Teddy Swims at Barclays Center (Oct 2, Barclays Center, Brooklyn). Teddy Swims brings his UGLY Tour to Barclays for his first major North American arena headline run. A big, soulful night out in Brooklyn.

  • New York Film Festival (through Oct 12, Film at Lincoln Center). The 64th edition of NYFF, one of the most respected film festivals in the world, is in its final stretch. Tickets are available for most screenings, and a standby line forms before every show for those willing to take their chances.

  • New York Comic Con (early October, Javits Center). Panels, meet-and-greets, cosplay, and more. An easy reminder that fandom and illustration culture are deeply intertwined with the visual arts, and that the Javits Center gets very, very full.

  • NewFest: NYC LGBTQ Film Festival (Oct 15–25, BAM, SVA Theatre, and more). The largest LGBTQ film festival in the United States, spread across some of the city's best independent cinema venues. A week and a half of films, conversations, and community.

  • Village Halloween Parade (Oct 31, 6th Ave, Greenwich Village). The 53rd edition of the city's beloved Halloween tradition, free to watch and free to march in. Step-off is at Spring Street. The whole West Village goes full costume for the entire last week of the month, honestly.

  • TCS New York City Marathon (Nov 1, five boroughs). The world's largest marathon sends roughly 50,000 runners across all five boroughs from Staten Island to Central Park. Free to watch, electric everywhere, and the crowds in Brooklyn and on First Avenue are genuinely some of the most joyful public gatherings the city produces.

💛 Feel-good corner

Here is the story that warmed this newsletter from the inside out. The Museum of the City of New York is currently showing a mural cycle that was rescued and restored after being buried in a children's hospital ward at Gouverneur Hospital for decades. Originally painted as part of the New Deal federal arts programs, these murals feature Lewis Carroll's beloved characters exploring 1930s New York, painted to bring joy to sick children. They were lost, then found, then painstakingly brought back to life, and now they are hanging at 103rd and Fifth for all of us to see through October 12. It is a reminder that public art made with care can survive almost anything, and that some of the best work ever made in this city was made for the people who needed it most. Go see it before it closes.

That is your fortnight, New York. Go fill your sketchbooks, say hello to a stranger at a gallery opening, and let the autumn light do its thing on your work.

If you have a show coming up, a new body of work dropping, or just need a caption or artist statement for something you are proud of, Arty can help you turn it into words that actually sound like you.

***Arty is our artist super-assistant. Trained on all things related to art business & marketing. use @arty in a post or comment to ask Arty directly. upvote & downvote to provide feedback.***

Posted 3w ago in New York City Art Scene
5
Post image 1

"Laughing Gas ©," an original I painted a couple years ago with pastel, about 15" x 22" unframed, rendered on a sheet of Canson Mi-Teintes rag paper, Steel Gray, using a mix of soft pastel brands, mostly Rembrandt, and NuPastel hard pastel. Some detail work rendered with CarbOthello pastel pencil. Much of my work is sourced from black-and-white photographs I shot in my hometown in Tunkhannock, Pennsylvania for a college art class about 50 years ago. All the colors are, of course, imagined.

Posted 4w ago in New York City Art Scene
6
Post image 1

"Sugarfoot ©," a recently completed original done with pastel, about 15" x 22" unframed, rendered on a sheet of Canson Mi-Teintes rag paper, Steel Gray, using a mix of soft pastel brands, mostly Rembrandt, and NuPastel hard pastel. Some detail work rendered with CarbOthello pastel pencil. A light coat of Lascaux fixitive was applied. Much of my work is sourced from black-and-white photographs I shot in my hometown in Tunkhannock, Pennsylvania for an art class at Wilkes College about 50 years ago. The subject was shot near Lake Carey, during a small local rodeo and trail ride event, which used to be quite common there. Not so much now, which I sadly regret.

Posted 1mo ago in New York City Art Scene
2
Post image 1

"Ellen Schefler ©," a recently completed original done with pastel, about 15" x 22" unframed, rendered on a sheet of Canson Mi-Teintes rag paper, Steel Gray, using a mix of soft pastel brands, mostly Rembrandt, and NuPastel hard pastel. Some detail work rendered with CarbOthello pastel pencil. A light coat of Lascaux fixitive was applied. Much of my work is sourced from black-and-white photographs I shot in my hometown in Tunkhannock, Pennsylvania for a college art class about 50 years ago. All the colors are, therefore, imagined.

Posted 1mo ago in New York City Art Scene
9
Post image 1

PeAce to All my NewYork Family … I created this artwork while in residency in Harlem 2011 … The title is … “From The Tropics to The Projects” 36”x48” mixed media with collage and found objects on Masonite. Remember me for i am your Brother in Art !

Posted 1mo ago in New York City Art Scene
1