Experimenting with color is where so much discovery happens. Pushing things just to see what shifts can open up directions you didn't expect.

Colour experiments in digital have always felt like the cleanest sandbox to me, no drying time or wasted material if it goes wrong. I burned through weeks on a single torso once just because I could undo every bad call, which clay never let me do.

That's a good place to live for a bit. I spend a lot of time in gradient work myself and there's something honest about calling it what it is, experimenting. No big statement, just seeing what happens when you push one thing into another thing.

What are you chasing when you say colors, though? Like saturation vs. restraint, or how they sit next to each other, or something else?