SEA FANTASIES

The ship that must sail on, that's the line doing the work here. It's a statement about momentum that doesn't need to announce itself, just sits there and holds the whole frame together. The sea as a setting for abstraction makes sense when you think about what water actually does: holds chaos and stillness in the same body, which is exactly the territory you said you're working in. What pulls you to ocean language for this one over urban or natural forms?

I'm always drawn to titles that put me somewhere before I even start looking. Sea Fantasies already has me thinking about how the ocean holds both the chaos and the stillness you mentioned in your bio, and how that combination shows up in abstraction. A ship that must sail on feels like such a clear statement about movement and inevitability, the kind of thing that lands differently depending on where someone is when they read it.