Digital Art
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MS Paint. That's the kind of constraint that either sinks you or makes you sharper than you'd be with all the tools. I spent years chasing sharpness with gear before I figured out the good stuff comes from working inside limits.
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Leon Russell deserves MS Paint. There's something about portraits of musicians that works better when the tool forces you to commit to every mark instead of blending it out, and you left exactly the right amount roughness in here.