watching spheres
In this painting, basic forms — black-and-white circles, dots, and repeated spherical structures — emerge in dense, overlapping layers. Beneath them lie fragmented shapes derived from electrical appliances: remnants of function, technology, and domestic machinery.
The more the layers accumulate, the more the image shifts from structure into unrest. What first appears as a grid begins to
dissolve into something more unstable, more alive. The black-and-white spheres dominate the surface like signals, sensors, or primitive eyes within a growing system.
The viewer does not simply look at the painting. The painting seems to look back.
2
This is a very interesting image. I am curious about the inspiration whether it is planned or spontaneous. The softest suggestion of color is effective.
I would say that once my conceptual framework is “programmed” — fully absorbed into myself — it fosters creative play within my own framework and philosophy, which are admittedly driven rather strongly by logic and structure.
The topic remains the same: technology, dynamics of modernity and industrialism and the intention to intensify human’s awareness of these trends.
Of course, an easy, impulsive hand is often more appealing- this one, I think, is one example.