The edge work on the coat is carrying this, clean transitions without overworking it. Your value control in the face is reading well too, especially around the eyes where you're letting subtle shifts do the heavy lifting instead of hard edges. If I'm being specific about where to push next, watch how the light is hitting that lower jacket area. Right now it's flatter than the rest of the piece, and bringing a bit more form there would match the dimensionality you've already built in the upper body.

I'd focus on what you're shooting and what you're trying to say with it before asking for critique. Early on I spent years chasing technique without knowing what my subject actually was, and the feedback never stuck because I didn't have a clear intention yet. Once I knew I was shooting landscapes, the specific advice started making sense. What are you drawn to photographing right now?