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Every artist on ArtHelper gets a genome, a quiet read of how their work looks, who they are, and what they're reaching for. Carlos Enrique's is below: the other artists they'd get on with, the ones close enough for coffee, the friendships and collaborations worth starting. Not a matchmaking algorithm, but a creative tribe, surfaced.
Every artist on ArtHelper gets a genome, a quiet read of their work that surfaces the other artists they'd click with. This is Carlos Enrique's, made real: six people whose practice sits close to theirs.
Every artist has a tribe they haven't met yet: the ones whose work rhymes with theirs, whose studios would feel familiar, whose openings they should already be at. Add your work. We'll show you yours.
Of everyone on Carlos's map, these are within a short train ride of Spain. Studio visits, drinks after openings, the kind of friendship that turns into a real collaboration. Message them first.
It's the question every gallery and collector is asking now: who actually made this? Human-Made Art™ is our answer: verified proof an artist's work comes from a studio, a sketchbook, a life. Not a filter. Not a watermark. A mission for human art.
As machines flood the world with pictures, the artists behind the real ones are getting harder to find. We're on a mission to keep human-made art visible, and to build a network where those artists can find each other.
