Comunidade

Arte Pastel

Um espaço para amantes de pastéis e criadores de todos os tipos! Compartilhe seu trabalho, troque técnicas e encontre inspiração em cada tonalidade.

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Publicações

Um passeio matinal na semana passada inspirou minha mais nova paisagem em pastéis

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"Quando a Primavera Anda Suavemente" 12"x9" pastel macio sobre uma camada fina de gouache que usei para planejar minha composição, com aquecimentos e resfriamentos. Eu não desenho primeiro, apenas começo a pintar, mas quase sempre uso algum tipo de subpintura, geralmente uma aplicação simples e leve de pastéis duros que depois corrijo com álcool isopropílico. Mas estou achando que manchas irregulares de gouache adicionam um pouco de textura à minha superfície e estou gostando disso. Algum outro comentário sobre subpintura?

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Stories in Wood

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“Cracks in My Heart”

I’ve been creating a series of pastel paintings inspired by the beauty and uniqueness of each of the post tops along a hiking trail. Each ring tells a story of the life of the tree. The way that they open to show themselves as they age and decay, yet somehow remain creators of beauty moves me deeply. May I also open and show my inner beauty as I age.

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Sisters

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These two lively girls were photographed together for chemistry, and separately. I combined references to develop this image. 12x16 pastel on linen
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When a Painting Titles Itself

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I'm giving away a print of this soft pastel this week and while preparing socials posts and emails for the giveaway, I remembered lightly sketching these yuccas in with a pastel pencil and thinking, "the flower stalks are like those royal guards at Buckingham Palace--these are seriously standing guard over both land and sky. That thought helped direct the painting's progress and dictated the composition of the clouds in relation to the land. Nice when they title themselves, isn't it?! "Standing Guard" is a real place in the high desert, way out in far West Texas ranch country.
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Maybe not quite a worm's eye view of bluebonnets, but a different way to show them

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As a Texas landscape painter, it's almost a sin not to paint bluebonnets, but I try to find different ways to show these beauties. While "normal" bluebonnets are a foot tall or less, the Big Bend desert variety grow up to four feet tall, making them show-stoppers. Here, while an entire mesa was covered with blue, I chose to show only a cluster shooting into the sky in the immediate foreground. I lay on my belly to take my reference photo-- but only after carefully checking for snakes, scorpions and hidden cactus. It's hard work, but somebody's gotta do it! "Tall Texas Blues" is one of my first bluebonnet landscapes, a 9" x 12" soft pastel (on Kitty Wallis Museum Grade paper, an old standby I no longer use because they quit manufacturing it).
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Goldens in the snow

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A composite of my photos and the customers' references of all their pups over the years. Past and present together. A great idea for the long time dog owner.
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Pure Gold [soft pastel, 8"x16"]

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Having spent most of my life living along the Monterey Bay in California, the most extraordinary sunsets simply take your breath away. Most of the time there's a fog bank that hovers off the coast, which rolls in on time so we don't need air conditioning all summer long. But occasionally there's a day when the the fog stays away long enough for the sun to drench the sky and cliffs in the most incredible imaginable colors. Pure Gold captures that one evening many years ago that left me spellbound. How about you?
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Sisters

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A commission of two sisters. I photographed then together and separately and blended references to get this composition.
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Early work

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My 3 beautiful daughters have always been a source of inspiration! As my work in pastels has progressed more recently, I am less fearful of employing color and looser, more expressive strokes.... always a work in progress.
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We Have A Pastel Community!! Thank you!!

After basic drawing, my first use of color was with pastels...and I could not imagine anything more wonderful until I started with oils, and never looked back for nearly 20 years. My daughter's cancer care and Covid brought me back to pastels and I am hooked once again. The luscious feel, the immediacy, the fine nuances that can be achieved have me enjoying them more than ever before., for studies and final works alike. Now if only I could have the time to use ALL the mediums to the extent I would want - but there are only 24 hours in a day with no guarantees of a tomorrow, so those "tough choices" will be there always.

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