Allan Weitz
Artista Visual
Allan Weitz é um artista de Places baseado em West Hartford, Connecticut. Conhecido por Seascape, Landscape.
Allan Weitz é um fotógrafo editorial/corporativo premiado, ex-apresentador do B&H Photography Podcast (2021-2025) e autor de 'KODACHROME: How Two Guys Named Leo Changed Photography' (2026). Suas fotografias têm aparecido nacionalmente em mais de 75 capas de revistas e livros.
A mostrar 12 de 85 obras
profile.view-all-workEducation
High School of Art & Design (NYC)
1966 – 1969Photography Major
School of Visual Arts (NYC)
1969 – 1971BA
Photography Major / Film Minor
Career
Everybody and Anybody Who Wants to Hire Me For What I Do Best
I sold my first photographs to Popular Photography in December of 1969. I was still in school. Twenty years later I would be writing a monthly column for 'Pop'. In the years between these two points in time I photographed annual reports for Fortune 500 companies and photographed over 75 covers and interior spreads for magazines including New York Magazine, Esquire, GQ, New Jersey Monthly, Philadelphia Magazine, Nautical Quarterly, Yachting, Boating Magazine, Money Magazine, and others. · Photo-Illustrator
jun. de 1971 – set. de 2026
FotoCare (NYC)
My job at FotoCare was to make sure the professional photographers who trusted my thoughts, knowledge, and opinion of the equipment they purchase from me. In other words, they knew I would choose the same for myself if I were in their shoes. · Sales & Equipment Consultations
out. de 1995 – set. de 2005
B&H Photo
During my Twenty-year tenure at B&H Photo in Manhattan, I served as a member of the Senior Online Creative Content Team. From 2015 to 2025 I served as host of the B&H Photography Podcast · Creative Online Content / Host of the B&H Photography Podcast
out. de 2005 – fev. de 2025
Author
'KODACHROME: How Two Guys Named Leo Changed Photography'
jun. de 2026
Gallery representation
At This Time I Am Not Represented By A Gallery
None At This Time
Exhibitions
Rhode Island Center for Photographic Arts. Providence RI
Group exhibitionHygienic Art Gallery, New London Ct
Group exhibitionPhotoplace Gallery, Middlebury VT
Group exhibitionWest Hartford Art League, West Hartford, CT
Group exhibitionAlex Ferrone Gallery, Cutchogue, LI, NY
Group exhibitionSaratoga Auto Museum, Saratoga Springs, NY
Solo exhibitionSaratoga Springs Gallery of Art, Saratoga Springs, N
Solo exhibitionHartford ArtSpace Gallery, Hartford, CT
Solo exhibitionUnderwater Kite, Windsor, CT,
Group exhibitionParkville Art Gallery, Hartford, Ct
Group exhibition2024Praxis Gallery, Minneapolis, MN
Minneapolis, MN
Group exhibitionGriffin Museum's A Homage to Robert Frank and his Iconic Book - 'The Americans'
The Griffin Museum of Photography
Group exhibition2026
Tools & materials
Film or Digital?
- The photographs that appear in the various galleries on my website were - depending on the era, captured on Kodachrome 25 and Kodachrome 64 transparency film, or in the case of photographs taken after 2001-2002 , digitally.
Camera Gear
- Film cameras included Nikon FM, FM-2, and F3 camera bodies. Lenses for these cameras ranged from a 15mm f/3.5 NIKKOR AI-SD ultra-wide to a 500mm f/5 Reflex-NIKKOR long telephoto. Though I've used digital cameras from Nikon, Fujifilm, and Canon,. my current camera of choice is Sony's a7R V. I use a variety of lenses from Nikon, Voigtlander, and Zeiss, which I adapt to the camera. For black-and-white street photography I will often shoot with a Leica M10 Monochrom coupled with Zeiss and Voigtlander optics.
Press
The Camera Shake Podcast with Kersten Luts
What Kodachrome Taught Us About Photography with ALLAN WEITZ
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JCH Instagram Live with Bellamy Hunt
JCH Instagram live. Kodachrome with special guest Allan Weitz
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Studio
One of the aspects of being a location photographer is that most of us never really have a 'studio'. We might have a corner of the garage or spare bedroom we use to store, clean, and prep our gear for the next assignment. The best I can do is a photo of my editing and printing area with flashes from my past framed on the walls behind them. Aside from my continuous personal photography, my studio these days exists entirely on my laptop, which I can take anywhere I go.
Other media
Nothing at This Time