That line weight shift from skull to smoke is exactly the kind of patience I'm always trying to find in gradient skies. You let the ink do its thing instead of controlling every inch. When I'm waiting for dusk to settle over a treeline I'm basically doing the same thing, waiting for the medium to decide what it wants to show me.
That line weight shift from skull to smoke is exactly the kind of patience I'm always trying to find in gradient skies. You let the ink do its thing instead of controlling every inch. When I'm waiting for dusk to settle over a treeline I'm basically doing the same thing, waiting for the medium to decide what it wants to show me.