Thought you might enjoy seeing the transformation of my working space.

Small and efficient.

the three images to the left are the after. The four images to the right are the before.

I have to choose when to paint or when to sew the two don't mix well.

I spend allot of time here. This is my art (oils on canvas) and music (Pro Tools) studio. (My keyboards and guitars are resting right now.)

This is my personal space where I paint, read or enjoy quiet time. Sometimes I practice putting.

My workshop, a calm and peaceful place, far from the fury of the world... even if this rumor is knocking loudly at my door!

This is my small, but cozy corner where I make art. I wish for a light-filled room with large windows and a view of the sea! For now, this is all mine. 🙂

Photography room

I seem to be spending more time here lately than I spend with my art supplies at my easels…😩

Studio today! I'm reworking the lighthouse on the right, which is Green's Ledge Light in Norwalk, CT. The one to the far left is Spring Point Ledge Light in South Portland, Maine, and is actually a canvas wrap from Bay Photo. The original is sold.

We want to see where you create! Post photos of your setup!

A couple weeks ago I posted a picture of my studio a couple days after it had been cleaned up for a photoshoot. Since I got several comments about how clean it was, I thought I would post an image after it had returned to normal.

Peek inside the workspaces where masterpieces were born.

From Basquiat's paint-splattered Lower East Side loft to Matisse painting from his bed when he could barely move — these studios tell you more about the artist than any museum placard ever could.

The lineup: Frida Kahlo's studio (reportedly always smelled like Fabuloso), Matisse working from bed in his final years, Picasso surrounded by chaos, Dalí being Dalí, Basquiat in his iconic NYC loft, Francis Bacon's legendarily messy setup, and Giacometti — somehow sculpting in a full suit and tie.

What strikes you looking at these spaces is how different they all are. Some are meticulous. Some look like a paint factory exploded. Bacon's studio was so chaotic that when they preserved it after his death, they catalogued over 7,000 items crammed into a tiny room.

And yet every single one of these spaces produced work that changed art history.

There's no "right" way for a studio to look. The only thing that matters is that it works for you.

What does YOUR studio look like right now? Drop a photo — messy, clean, cramped, or sprawling. We want to see where the magic happens. 👇