Sydney Art Scene

Aerial Visual Artist

I’m delighted to have joined the Sydney arts community and look forward to connecting with fellow artists, photographers, galleries, and collectors.

For over 15 years I’ve specialised in aerial photography, combining the precision of commercial drone operations with a passion for creating fine art imagery. Using the latest 100-megapixel drone technology, I capture landscapes, coastlines, and unique perspectives with exceptional detail, producing museum-quality images suitable for large-format prints.

My goal is to create artwork that inspires, reveals the beauty of Australia’s diverse landscapes, and offers a fresh perspective from above. I look forward to sharing my work, supporting other creatives, and becoming part of this vibrant artistic community.

Thank you for the warm welcome—I can’t wait to connect and share this journey with you.


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The choice to work at 100 megapixels matters when you're planning large-format prints. Most drone work lives online at tiny resolutions, so committing to that level of capture says something about where you think the work belongs. Museum-quality is a specific phrase, not just marketing, the detail holds at scale. That precision translates.

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Malcolm TurcotteJul 9, 2026

Fifteen years in the air, that's commitment. I spent years bouncing between ground-level work before landing (terrible pun) in landscapes, so I respect anyone who found their angle and stuck with it. The 100-megapixel drone tech is wild, I'm still shooting with gear that feels ancient by comparison. What I'm curious about: do you find the commercial work and the fine art work feed each other, or do they feel like separate muscles? I've always wondered how that plays out when you're moving between precision client stuff and your own vision.

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