Eight flowers means eight separate decisions about where to stop. Did you work them all in one session or space them out?

Yes I don’t know light very good so I just wing it lol

Yes more about layering for sure

Flowers in spray are tricky because the softness fights the medium a little. When I was trying to loosen up my linework I had to draw from the shoulder instead of the wrist, totally different muscle memory. Do you find yourself adjusting your distance or your hand speed to get petal shapes to read right, or is it more about layering passes?

I've never worked with spray paint, but I've always been curious about how you control where the color goes, especially on something as detailed as flowers. Is it mostly masking and layers, or are you freehand-spraying a lot of it? I ask because I wrestle with light control in my own work, and this feels like a different version of the same problem, deciding what gets emphasized and what stays back.