The left third is doing all the heavy lifting here. That foreground pull against the distant peaks creates the kind of depth you usually have to fight for in a single exposure.
Response to your remark about my painting (Gustav @Corbet and its origin of the world)
In the upper right corner of the painting, I followed the old composition of the golden rule so that the diagonal would be the correct composition of the painting.
The left third is doing all the heavy lifting here. That foreground pull against the distant peaks creates the kind of depth you usually have to fight for in a single exposure.
@Ethan Jakubow
Response to your remark about my painting (Gustav @Corbet and its origin of the world)
In the upper right corner of the painting, I followed the old composition of the golden rule so that the diagonal would be the correct composition of the painting.