Pulling in colors from different directions and stopping them against each other allows for an excellent composition. The tension that the green creates to stop the movements of everything else is well done.

You're leaving a lot of open space, which takes confidence. The color balance in the lower third is doing most of the work here.

That edge where the dark meets the light feels intentional, like you're working through something. When I first tried landscapes I thought I needed the whole vista in frame, but really it was about finding one moment that held weight. You're finding yours here.